Monday, February 27, 2012
Sunday, February 26, 2012
Pens you need to draw manga
Shonen Jump artistes use different tools and equipment to draw there amazing manga, so here I'll try to give you the most important tools you have to get to draw your own serial manga, let's start with pens.
1.SAJIi-PEN
It's smooth and easy to draw all kinds of lines.The Saji-pen is also called the Tama-pen.Pen nibs are used with black ink & Pen Holder.
2.G-PEN
G-PEN nib is a very elastic and used for drawing main lines and effective lines such as flash line.
Pen nibs are used with black ink & Pen Holder.
3.MARU-PEN
Maru-pen tip is good for drawing thin lines.
Mainly used for drawing details such as hair, folds of clothes, or inside of pupils.
Pen nibs are used with black ink & Pen Holder.
4.PEN Holder
This Pen holder can be used for most of Pen nibs.
Useable with All kinds of Pen-Nib.
5.NEOPIKO Black Color set
NEOPIKO LINE2 Black color set
Value set of 9 sizes Black Liners' set
(0.03, 0.05, 0.1, 0.2, 0.3, 0.5, 0.8, 1.0, 2.0)
It's useful to draw backgrounds,shading clothes and so on
It's useful to draw backgrounds,shading clothes and so on
So we have finished of pens , see you soon in another lesson =)
Note:you can find all information and tools in DELETER website [Here]
Friday, February 24, 2012
Basic Folds
Basic Folds
The most important thing to consider whenever you are drawing clothing or any type of fabric is the direction the fabric is going to be pulled in. Folds are caused wherever the fabric is being stretched or pulled; figure out how exactly you want the fabric to move, and the rest is pretty easy. Always remember to consider the figure beneath the clothing; the cloth should reveal the shape of the figure beneath. I'll go into more detail on this later. At the left are some examples of basic types of folds. Notice the movement of each example shown; the fabric flows downward on the top left two, for they are being pulled down by gravity. This type of fold would be on something that hangs loosely, such as a cape or long shirt. On the lower left and upper right examples, the fabric is not only pulled by gravity, but stretched to the left (probably by an arm that is underneath the clothing). The folds become more horizontal than vertical the further it is stretched. Also notice how sometimes the folds are nested within one another. This will often occur at joints or areas in which loose clothing is bunched up. The lower right picture is a slightly more complex example of a more inert piece of cloth being pulled in a viarety of directions. Notice how the folds follow the direction that the cloth is being pulled in. 
Here are a few more examples of basic fold shapes. On the left, the cloth is being pulled downwards by gravity and to the right by wind or motion. One the left, the long strip of cloth is bunched up near the top. Remember to use shading to give your subjects more form. Generally, you shade along a fold line, or on any places that you think a shadow would be cast. This takes some getting used to. It helps to look at actual folds sometimes to see where to shade. Sometimes, I'll sketch the drapes or a towel hung over a chair just to practice and get a better feel for how clothing is shaded.
Here are a few more random examples, of a bow and some sleeves. The most important thing to note here is the shape of the folds at the joint of the sleeve in the middle.
These are some more complex, overlapping and nested folds. The more detail you put into it the folds, the more interesting it will look. On the left, notice how the fabric bunches up where it is tied together; the weight of the fabric pulls it down and causes extra creases and folds to form where it is gathered together. The tie itself is drawn with lots of detail, and the cloth beneath it blows loosely in the wind. The fabric is shaded around the folds and in the crevasses formed by the cloth. On the picture to the right, a length of fabric is draped upon the floor; notice how the folds nest in one another and overlap, creating an interesting effect.
Another thing I want to point out is the thickness of the fabric in question. The fabric on the top example appears thinner than the fabric in the lower example. Take note of both collars. On the top, the circular rim of the collar connects directly to the rest of the collar, while on the bottom, there is a space between the circular rim and the vertical part. The same applies to the edges of the cape. While on the top example, the edge is crisp and thin, on the bottom example there is extra space between the rim and the rest of the cape. This extra space makes the clothing look more thick and heavy.
Thursday, February 23, 2012
Small tips to draw hands
you may hate drawing hands or legs and always try to hide them but in fact drawing that part of body give your character a great view,Anyway I think drawing hands or legs are harder than other parts in character body ,So I'm gonna give you some tips that can help you :-
1.Always Focus in Manga Characters focus in hands and legs and think like "How the hell did the Mangaka draw this hand" that will help you a lot to get some ideas .
2.Try to draw what you got from focusing that will help to improve your skills and become better and better.
3.Get a Hand Model This is very important and very helpful a lot of Mangaka use it , - there is another model for body I think they call it (Manga Manikin) -.
that was only three tips ,I hope you benefited
How to draw a hunky male body
How to draw a hunky male body
It's been a while. But, voila, here I am again. This is my 32nd video, a take on how to draw a hunky male body in manga style. This guy / man appears half naked / nude, only covered in a pair of skimpy swimming trunks. Sorry, couldn't have gone completely naked due to the regulations on Youtube. But anyway, the body shape is there. I hope you enjoy this video.
Cheerio, Eddie Chin x
How to Draw a Female Body
How to Draw a Female Body
by markcrilley
This is another tutorial from the great Mark ,It's very useful
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